Mi casa es tu casa

Mi casa es tu casa //
Exploring family since we felt the need.
insalatadiparole and zeroisnan. //
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vivian-fu:

Tim After Showering, Inner Richmond, March 2013 by Vivian Fu

83 ♥

valeriacherchi:

sombreboite: Letizia Battaglia, Il gioco del killer (1982)

34 ♥

Reconstruction of a choice

(whose very title indicates the degree to which everything is erased. It concerned a whole series of selections: which side to sleep on, which ear to choose, which lamp to light?)

After a confusing interval, this becomes:

the path of the father or the path of the mother?

—

Georges Perec - La boutique obscure: 124 Dreams

No. 111 March 1972 (Blevy)

0 ♥

423 ♥

nevver:

“In love as in sport, the amateur status must be strictly maintained.” ― Robert Graves (l.)

674 ♥

1452 ♥

hyperallergic:

A review of the David Goldblatt photography show at New York’s Jewish Museum is in the New York Review of Books and it includes a slideshow of some of his images. The exhibition continues until September 19.
From the review:

It has been more than two decades since apartheid ended as a legally sanctioned system but that disfigurement endures in the townships and rural resettlement camps that came into existence under white rule … Class rather than color now determines where people can live so there are more opportunities to show the racial and social strata at close quarters.
nybooks:

Apartheid’s Twisted Dream: David Goldblatt’s South Africa
Joseph Lelyveld
“Goldbatt’s way was always to go deeper, to find an oblique angle that went right to the heart of the matter: an image bespeaking loneliness, stunted aspiration, fragile pride on both sides of the racial divide, not infrequently with an intimation of imminent violence, or its result.”
Picnic on New Year’s Day, Hartebeespoort Dam, 1965 Courtesy of David Goldblatt and the Goodman Gallery, Johannesburg

(via nybooks)

2 ♥

ycphotographs:

Christine and Ethan Loewy
from the series Faceless
portrait by Ryan Loewy

74 ♥

215 ♥

2headsgallery:

by davehebb

734 ♥